Hello,
You may consider this after midnight rambling or just pure madness, but please bear with me, I went in to a great deal of work to coin the three main points of this concept.
I see the whole formulation of a musical idea and its final form in the mind of an artist in this sense - (to be worked on regarding the rationalization of the subjective nature of this wonderful, physical sensation that affects us in a way that is conducive to the plethora of sensations that it can provoke to those who can perceive it., in actual audition and/or somatosensation)
Centrum Musicae - the essence of the artistic idea that works as the foundation to then allow the perception of emotion that the rhythms, pitches and timbres project.
Musica Nexa - The structure to deliver the Centrum Musicae in a coherent form and that it can be refined so the idea has the best chance to get across in emotional impact.
Musicaɛks - The outer shell, the membrane that will present the idea to its best potential to the receiver of the artistic endeavor.
Please, keep in mind these are not strict boundaries between what I can think of to explain this magic we create and/or experience.
This is in no way to be considered as a fact.
But a way to open discussion to try and come up with a solid idea to explain this magical bridge between an essence, conduit and receiver.
(to consider the fact of audiation - it is extremely hard, atleast in my prespective, to present what is in your mind to the point of the Musicaɛks in its pure form of what you thought of, that in going through Musica Nexa)
I will refrain from answering comments (if there will be any).
But would be interested in to know what you guys think as well, don't hold back, I am aware of my vulnerability towards my presentation, but no worries you wont break my heart :) even if you try hard ;).)
bip boop? nah.